Related Paintings of unknow artist :. | The children of the comte d'Artois | Portrait of a Boy | Still life floral, all kinds of reality flowers oil painting 281 | Helvetesscen | Still life floral, all kinds of reality flowers oil painting 134 |
Related Artists:
GRIMMER, Abel
Flemish Baroque Era Painter, ca.1570-C.1619 Son of Jacob Grimmer. He married Catharina Lescornet on 29 September 1591 and in 1592 became a master in the Antwerp Guild of St Luke. He is principally known for his numerous small paintings of country scenes, sometimes with a biblical theme, which often form part of a series of the Four Seasons or the Months of the Year. Some of these paintings were inspired by or even copied from prints by Pieter Bruegel I and Hans Bol, both of whose work strongly influenced Abel, even more so than did the example of his father's work, which was also an important source of inspiration. Abel's series of the Twelve Months (1592; Montfaucon-en-Velay, Haute-Loire, Chapelle Notre-Dame) are exact copies of Adriaen Collaert's prints after Hans Bol (Hollstein: Dut. & Flem., iv, nos 523-34), published by Hans van Luyck ( fl c. 1580-85) in 1585. Spring and Summer (Antwerp, Kon. Mus. S. Kst.) are almost exact copies of two prints by Pieter van der Heyden
Woolner, Thomas
1825 - 1892,English sculptor and poet. He ranks with John Henry Foley as the leading sculptor of mid-Victorian England. He trained with William Behnes and in 1842 enrolled as a student at the Royal Academy, London. In 1844 he exhibited at Westminster Hall, London, a life-size plaster group, the Death of Boadicea (destr.), in an unsuccessful attempt to obtain sculptural commissions for the Houses of Parliament. His earliest important surviving work is the statuette of Puck (plaster, 1845-7; C. G. Woolner priv. col.), which was admired by William Holman Hunt and helped to secure Woolner's admission in 1848 to the Pre-Raphaelite Brotherhood. The work's Shakespearean theme and lifelike execution, stressing Puck's humorous malice rather than traditional ideal beauty, made it highly appealing. Although eclipsed by Hunt, John Everett Millais and Dante Gabriel Rossetti, Woolner was an important figure in the Brotherhood. He contributed poetry to its journal, The Germ (1850), and his work was committed to truthfulness to nature more consistently than that of any other Pre-Raphaelite, except for Hunt. This is evident in Woolner's monument to William Wordsworth (marble, 1851; St Oswald, Grasmere, Cumbria).
Jacopo Amigoni
1685-1752 Italian Jacopo Amigoni Galleries He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available. From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher. In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.